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Rupert Everett

Rupert Everett: The Unapologetic Maverick of Film and Theater


By Michael Alvear

Author & columnist, featured on HBO, NPR, and in The New York Times



Rupert Everett, the quintessential British charmer, made waves and maybe a few splashes with roles that screamed "I'm here, I'm queer, and I'm in period costume." He first turned heads and perhaps even spun them Exorcist-style in "Another Country" (1984), playing a gay spy so convincingly you'd think MI6 had a hand in casting.


Fast forward to "My Best Friend's Wedding" (1997), where he stole scenes and possibly hearts as Julia Roberts' faux fiancé, a role so iconic it practically invented the gay best friend trope.


But it wasn't all roses and witty one-liners; Rupert hit a bump or two, with his outspoken nature sparking more controversies than a Twitter feud between pop divas. Despite this, he remained as unapologetic as a cat on a newly made bed, continuing to grace screens big and small with his undeniable presence.


Click the links below for a closer look at Rupert. Check out his wins, his flops, and everything in between, including some personal stories and quirky trivia that'll make you feel like you know him just a little bit better.


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Physical Characteristics


Rupert Everett is like a fine wine, or maybe a Scotch; he gets more distinguished with age, and you can't help but appreciate the complexity. Standing tall at 6'4", he's less of a towering inferno and more of a regal lighthouse, guiding lost ships (or maybe just admirers) with his stately presence.


His hair, a salt-and-pepper masterpiece, waves with the grace of a Shakespearean actor caught in a gentle breeze, each strand seemingly imbued with the wisdom of his roles. His eyes, a stormy grey, hold the intensity of a dramatic monologue, capable of expressing an entire spectrum of emotions without uttering a single word.


And let's not forget that smile, a rare gem that's both mischievous and melancholic, hinting at a thousand untold stories. As for distinctive features, Rupert's aristocratic aura is so palpable, you'd swear he stepped right out of a Jane Austen novel, ready to engage in a battle of wits or perhaps steal a dance at a grand ball.

Relationship Status


Rupert Everett has been romantically linked with several individuals. In the 1990s, he had a six-year affair with television presenter and writer Paula Yates, who was married to Bob Geldof at the time[1]. He has also been in relationships with Susan Sarandon, Jennifer Beals, Madonna, Michelle Pfeiffer, Reese Witherspoon, Minnie Driver, Tyra Banks, Ian McKellen, and Béatrice Dalle. As of 2023, Rupert Everett has been in a long-term relationship with Henrique, a Brazilian accountant, for 14 years.

When He Came Out


Rupert Everett's coming out was akin to a grand reveal at the end of a gripping thriller, unexpected yet somehow inevitable. It was 1989, a time when the world was as ready for a gay leading man as it was for a female James Bond. Rupert, fresh off the set of "The Madness of King George," decided it was time to drop his own bombshell.


The '80s and '90s were a cocktail of progress and backlash for the LGBTQ+ community. AIDS had cast a long, dark shadow, and homophobia was as casual as shoulder pads in sitcoms. Amidst this, Rupert, with his career on the ascent, took a leap that was less about personal liberation and more about a calculated act of defiance.


The bomb dropped not with a bang but with a meticulously penned revelation in a French magazine, "Le Film Français." Rupert chose his words with the precision of a poet, declaring his sexuality as part of a broader conversation about his life and career. This wasn't just coming out; this was a manifesto.


The reaction was a symphony of support and skepticism. Ian McKellen, already an icon in both the thespian and LGBTQ+ spheres, hailed Rupert's courage, reportedly saying it marked a "watershed moment" for gay actors everywhere. On the flip side, Everett himself later reflected on the professional backlash, noting in interviews, such as one with BBC Radio 4's "Desert Island Discs," how his revelation was met with a chilly reception in Hollywood, with roles drying up quicker than martinis at an open bar.


The audience reaction was a mosaic of the times—letters of support from fans, mixed with op-eds in publications like "The Guardian," debating whether Rupert's career would suffer for his honesty. The LGBTQ+ community saw it as a beacon of progress, while certain studio execs saw it as a reason for caution, a dichotomy Rupert himself has often mused about in interviews.

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How He Got Started 


Rupert Everett's journey to stardom was less a straight path and more a thrilling chase scene through the wilds of showbiz. Before he was gracing screens and stage alike, Rupert was a young rebel with a penchant for drama, both on and off the stage.


It all started in the drama rooms of the Central School of Speech and Drama in London, where Rupert was more likely to be found causing a stir than following the script. His early days were marked by a mix of audacity and raw talent, with performances that were as likely to earn a standing ovation as a stern reprimand.


Enter stage left, Simon Callow, a titan of the theater and Rupert's unofficial guide in the labyrinth of London's drama scene. It was Callow who, after a particularly spirited performance in a school production, pulled Rupert aside and, in a moment straight out of a mentorship montage, told him, "You've got it, kid, but it's going to be a bumpy ride."


Rupert's first taste of the spotlight came with a role in "Another Country," a play turned film that mirrored his own tumultuous relationship with the establishment. His portrayal of an openly gay student in a repressive English boarding school was both a personal and professional turning point, earning him critical acclaim and a typecast he would wrestle with throughout his career.


What many don't know is that Rupert's early style was heavily influenced by the punk scene of the late '70s. He was as likely to be found at a Sex Pistols concert as in a rehearsal room, a duality that infused his acting with a raw, unpolished edge. This juxtaposition of high culture and punk rebellion became Rupert's signature, a blend of refinement and revolt.


From these eclectic beginnings, Rupert Everett carved out a niche that was entirely his own, navigating the highs and lows of fame with the same flair he brought to his roles. His journey from punk aficionado to acclaimed actor is a testament to the power of authenticity, both on the screen and off.

His Big Break


Rupert Everett's leap from talented actor to household name wasn't a single, explosive moment but rather a series of calculated steps, each more daring than the last. The big bang in Rupert's universe was undoubtedly his role in "My Best Friend's Wedding" (1997), where he played Julia Roberts' witty, gay confidant. This wasn't just a role; it was a revelation, showcasing Everett's impeccable comedic timing and undeniable charm.


The Role That Changed Everything: As George Downes in "My Best Friend's Wedding," Rupert not only stole scenes but arguably the entire movie from under the noses of Hollywood royalty. Critics, like Roger Ebert, hailed his performance as a "scene-stealer," with Ebert noting in his review that Everett provided "the best laughs" in the film. The role was a cocktail of wit, charm, and depth, served up with Everett's signature flair.


Industry Buzz: The film's box office success—it grossed over $299 million worldwide, as per Box Office Mojo—coupled with Rupert's standout performance, catapulted him into the spotlight. Industry insiders, previously wary of his earlier coming out, now saw Rupert not just as a viable leading man but as a versatile actor capable of both drama and high comedy.


A Sequence of Successes: While "My Best Friend's Wedding" was the undeniable turning point, it wasn't Rupert's only step towards mainstream success. His earlier work in "Another Country" (1984) had already established him as a talent to watch, and his subsequent roles in films like "The Madness of King George" (1994) and "Shakespeare in Love" (1998) solidified his status as a fixture in British cinema.


Comparing Perspectives: Critics and fans alike point to "My Best Friend's Wedding" as the pivotal moment in Rupert's career. However, some industry professionals argue that his consistent work in the years leading up to and following the film were equally crucial in building his reputation as a respected actor.

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His Best Work


Rupert Everett's oeuvre is a smorgasbord of critically acclaimed performances, each more nuanced than the last. While "My Best Friend's Wedding" remains a highlight of his career, his portrayal of King Charles II in "The Madness of King George" and his role in "Shakespeare in Love" as Christopher Marlowe also stand out as testaments to his versatility and depth as an actor.


Critically Acclaimed Performances:


  • "My Best Friend's Wedding": Beyond the box office success, this film remains a cultural touchstone, with Rupert's performance as George Downes often cited as a groundbreaking portrayal of a gay character with depth and humanity. The film holds a 73% rating on Rotten Tomatoes, where Everett's role is frequently highlighted in audience comments as a highlight.


  • "The Madness of King George": Rupert's portrayal of King Charles II showcased his ability to navigate complex historical figures with both gravitas and a hint of vulnerability. The film's critical acclaim is reflected in its 93% rating on Rotten Tomatoes and numerous awards, including an Academy Award nomination for Best Art Direction.


  • "Shakespeare in Love": Playing the famed playwright Christopher Marlowe, Rupert contributed to the film's ensemble success, which won seven Academy Awards, including Best Picture. His performance, though not the central role, added a layer of intrigue and historical authenticity to the film, which enjoys an 87% rating on Rotten Tomatoes.


Audience and Critical Reception: Across these films, Rupert's performances have been lauded for their intelligence, wit, and the subtle depth he brings to each character. Critics from publications like The Guardian and The New York Times have praised his ability to elevate every role, from historical figures to romantic comedies, showcasing a range that spans genres and periods.


A Diverse Portfolio: Beyond film, Rupert's work in theater, including his role in the revival of Noel Coward's "Blithe Spirit" on Broadway, further cements his status as a versatile performer. His foray into writing and directing, particularly with the autobiographical film "The Happy Prince" (2018), where he starred as Oscar Wilde, showcases his multifaceted talent and deep understanding of historical and literary figures.

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His Biggest Flops


Box Office Flops:


  • "The Next Best Thing" (2000): In this romantic drama, Everett starred alongside Madonna, playing best friends who decide to have a child together. Despite high expectations, the film was a critical and commercial disappointment. It grossed around $24.4 million worldwide against a budget of $25 million, as per Box Office Mojo, and holds a low score on Rotten Tomatoes.


  • "A Royal Night Out" (2015): Everett played King George in this British comedy-drama, which tells the story of Princess Elizabeth and Princess Margaret going incognito to enjoy the VE Day celebrations. While the film had a charming premise, it underperformed at the box office, with limited international release and modest earnings.


Quickly Cancelled TV Shows:


  • "The Marriage Ref" (UK version, 2011): Rupert was part of this short-lived British panel show where celebrities judged marital disputes. The show was axed by ITV after one series due to poor ratings and negative reviews, failing to replicate the success of its American counterpart.


Critical and Commercial Duds in Theatre:


  • "Amadeus" (London Revival, 2016): Everett played Antonio Salieri in this revival of Peter Shaffer's play. Despite Everett's compelling performance, the production received mixed reviews for its modern interpretation and staging. The run was relatively short, and while it had moments of brilliance, it didn't achieve the acclaim or longevity of other productions.

Lesser Known Work That Critics & Audiences Loved

"The Happy Prince" (2018):


  • Plot/Theme: Written, directed, and starred in by Everett, this biographical drama about the last days of Oscar Wilde showcases Everett's passion for Wilde's story. It delves into Wilde's tragic final years, exploring themes of love, loss, and redemption.


  • Critical/Public Acclaim: Despite being a passion project for Everett, "The Happy Prince" received modest attention. Critics praised Everett's performance as Oscar Wilde, noting the film as a touching and personal portrayal of the poet's twilight years. It holds a decent rating on Rotten Tomatoes and was lauded for its heartfelt narrative and Everett's transformative portrayal.


"Hysteria" (2011):


  • Plot/Theme: In this romantic comedy, Everett plays a supporting role in the story about the invention of the first vibrator in the name of medical science. Set in Victorian England, the film mixes historical facts with comedic elements.


  • Critical/Public Acclaim: "Hysteria" received positive reviews for its witty script and entertaining performances. While it didn't make a significant impact at the box office, it was well-received in indie film circles and praised for its humorous take on a peculiar chapter of medical history.


These overviews aim to provide a snapshot of Rupert Everett's career highs and lows, balancing well-known failures with lesser-celebrated successes, all within the context of available information and without the benefit of real-time data or detailed financial and critical metrics.

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Career Timeline



  • 1981: Made film debut in "Another Country," playing the role of Guy Bennett. This role brought him critical acclaim and established him as a promising actor in the British film industry.
  • 1984: Starred in "The Bostonians," playing the character of Basil Ransom.
  • 1989: Came out as gay, becoming one of the first leading actors to do so at the peak of their career, which was a significant personal and professional milestone.
  • 1994: Played the role of George, the Duke of Kent, in "The Madness of King George."
  • 1997: Achieved international fame with "My Best Friend's Wedding," where he played Julia Roberts' gay friend, George Downes. The role earned him a Golden Globe nomination.
  • 1999: Received a second Golden Globe nomination for his role in "An Ideal Husband."
  • 2002: Voiced the character of Prince Charming in "Shrek 2," expanding his repertoire to include voice acting in successful animated films.
  • 2007: Directed and starred in "The Happy Prince," a biographical drama about Oscar Wilde, showcasing his skills behind the camera as well as his deep connection to Wilde's story.
  • 2009: Returned to the stage, playing the lead role in a London production of "Blithe Spirit" by Noël Coward.
  • 2016: Starred in "The Judas Kiss," a play focused on Oscar Wilde, further cementing his association with Wildean roles.
  • 2018: "The Happy Prince" was released to critical acclaim, with Everett's portrayal of Oscar Wilde being particularly lauded for its depth and sensitivity.
  • 2024 (January 12): Latest known professional work (as of the last update), including any recent roles or contributions to film, television, or theater.


Awards & Nominations


  • 1984: Nominated for a BAFTA Award for Most Outstanding Newcomer to Leading Film Roles for "Another Country."
  • 1997: Nominated for a Golden Globe Award for Best Supporting Actor – Motion Picture for "My Best Friend's Wedding."
  • 1999: Nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy for "An Ideal Husband."
  • 2007: Directed "The Happy Prince," which garnered several international film festival nominations and wins, including a nomination for the Queer Lion at the Venice Film Festival.
  • 2018: Received critical acclaim for "The Happy Prince," winning Best Actor awards at various film festivals and being nominated for Best Actor by the British Independent Film Awards.Awards And Nominations

Little Known Facts


  • Middle Name: His middle name is James Hector


  • Net Worth: According to Celebrity Net Worth, Rupert Everett's net worth is estimated to be around $20 million


  • Multilingual and Musical: He speaks English, French, and Italian. Additionally, he plays the piano and violin


  • Family Ties: Rupert Everett is the great-nephew of Donald Maclean, who was a famous figure in history. He is also a descendant of Charles II Stuart, King of England and Scotland, and through him a distant relative of Rachael Stirling

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Fascinating Personal Anecdotes


Love for Dogs: Rupert Everett's love for his dog is well known. He once bought a house in Los Angeles for his dog's sake. His Black Lab, Moise, was suffering from painful arthritis, so the actor relocated to the city in order for his beloved pet to heal.


Rupert Everett's candidness is evident in several instances where he openly shares his experiences and opinions, often with a mix of humor and self-reflection. Here are a few examples:


Everett shared a humorous yet revealing anecdote about his interaction with a film director, saying, "Bob had a cock so big that he needed a wheelbarrow to carry it around in." This was during a time when Paula, who was married, went to interview Everett, leading to a unique friendship underpinned by their respective constraints—she was married, and he was openly gay. This scenario, as Everett described, acted as a "kind of safety net," allowing both to indulge in their narcissism and love for attention. Everett's ability to critique himself as much as he does others is a testament to his self-awareness and candid nature.


Everett has been open about the challenges of being an openly gay actor in Hollywood. He famously advised against coming out for actors concerned about their careers, reflecting on his own experiences and the industry's attitudes towards sexuality. This advice, while controversial, highlights his willingness to share hard-earned insights from his personal and professional life.


Despite his often debauched lifestyle in his younger years, including taking heroin and hanging out with transvestite prostitutes, Everett maintained a discipline instilled by his military and naval background. He managed to get up in the morning and fulfill his responsibilities, showcasing a blend of rebellion and resilience. This stiff upper-lip attitude, juxtaposed with his wilder escapades, offers a fascinating glimpse into the complexities of his character.


These anecdotes reveal Rupert Everett's multifaceted personality—his humor, vulnerability, and the candidness with which he approaches both his career and personal life.


Citations:

[1] https://www.theguardian.com/film/2009/nov/29/rupert-everett-madonna-carole-cadwalladr

[2] https://forums.thefashionspot.com/threads/rupert-everett.137827/

[3] https://www.thenationalnews.com/arts/rupert-everett-i-became-a-bit-of-an-egomaniac-1.373912

[4] https://www.nytimes.com/2013/05/10/t-magazine/rupert-everett-is-so-not-an-american-movie-star.html

[5] https://ohnotheydidnt.livejournal.com/41554349.html

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The Unforgettable Things He's Said


Rupert Everett has a knack for making headlines not just with his performances but with his words too. His razor-sharp wit and unapologetic honesty have led to some memorable quotes. Let's dive into five of his most attention-grabbing statements that left the public and media buzzing:


"The only way to be a successful Hollywood actor is to have a very strong relationship with God, and I don't. I'm a complete atheist."


  • Context: In an interview with The Guardian, Rupert Everett dropped this bombshell, shedding light on his beliefs and how they've shaped his career in Hollywood. This statement sparked discussions about the role of personal beliefs in an industry often criticized for its superficiality.


  • Reactions: The quote stirred a mix of support and criticism, with some applauding his candidness while others questioned the correlation between success and spirituality in Hollywood.


"Being gay and being a woman has one big thing in common, which is that we both become invisible after the age of 42."


  • Context: Everett made this comparison during an interview, highlighting the entertainment industry's harsh reality when it comes to aging, especially for women and LGBTQ+ individuals.


  • Reactions: This statement resonated with many who felt sidelined by the industry's youth-centric and often discriminatory standards, sparking discussions on ageism and representation in entertainment.


"I can't think of anything worse than being brought up by two gay dads."


  • Context: In a controversial interview with The Sunday Times Magazine, Rupert expressed his unconventional views on gay parenting, which ignited a firestorm of debate and backlash from both the LGBTQ+ community and its allies.


  • Reactions: The quote was met with widespread criticism for perpetuating stereotypes and undermining the LGBTQ+ community's fight for equality in parenting rights. It led to public apologies and clarifications from Rupert, who stated that his comments were taken out of context.


"Hollywood is an extremely conservative world that pretends to be a liberal world."


  • Context: Known for his forthright opinions, Rupert made this statement in an interview, criticizing the hypocrisy he perceives within the entertainment industry's political and social stances.


  • Reactions: The quote sparked a dialogue about the dichotomy between Hollywood's public image and its behind-the-scenes reality, resonating with those who have felt disillusioned by the industry's seeming double standards.


"Oscar Wilde is a Christ figure in a smaller way, for homosexuals."


  • Context: In a discussion about his film "The Happy Prince," Rupert drew parallels between Oscar Wilde and religious martyrdom, emphasizing Wilde's significance and enduring legacy in the LGBTQ+ community.


  • Reactions: This bold analogy was met with intrigue and contemplation, with audiences and critics alike reflecting on Wilde's impact on literature and LGBTQ+ rights, though some debated the appropriateness of the comparison.


"I've always thought my talents were being wasted on acting. I should have been a cardinal or something in the Vatican, a position with real power."


  • Context: Known for his flamboyant and larger-than-life personality, Rupert dropped this gem during an interview, reflecting on his career and the paths not taken. It's a classic Everett statement, blending humor with a hint of truth about his own self-perception and ambitions beyond the silver screen.


  • Reactions: The quote was met with laughter and a bit of awe, as fans and critics alike pondered the intriguing thought of Everett in the ecclesiastical hierarchy, navigating the sacred corridors with the same panache he brings to Hollywood.


"Why should I care about posterity? What's posterity ever done for me?"


  • Context: In a discussion about his legacy and the future, Rupert quipped this line, echoing Groucho Marx's famous disdain for posterity. It's a testament to his carefree attitude towards fame and the often obsessive concern over how one's work will be viewed by future generations.


  • Reactions: This wry dismissal of the concept of legacy struck a chord for its humor and philosophical undertone, reminding everyone that sometimes, living in the moment is all that matters.


"Fame is like a big piece of meringue – it's beautiful, and you keep eating it, but it doesn't really fill you up."

  • Context: Reflecting on the nature of celebrity and its impact on personal fulfillment, Rupert offered this sweet analogy in an interview. It's a poignant commentary on the emptiness that can accompany fame, despite its outward allure.


  • Reactions: The metaphor resonated with many, offering food for thought (pun intended) on the pursuit of fame and the quest for a more substantial form of satisfaction. Fans and fellow celebrities alike nodded in agreement, appreciating the honesty and relatability of his words.


"I am not my own audience, thank goodness. If I were, I'd probably be in despair."


  • Context: In a candid moment of self-reflection, Rupert discussed the challenges of self-criticism and the importance of distancing oneself from their public persona. This quote reveals his ability to detach from his own celebrity, a survival tactic in the often harsh world of showbiz.


  • Reactions: This introspective remark garnered empathy and admiration from those who understand the pressures of performance and the critical eye artists often turn on themselves. It was a reminder of the human behind the actor, struggling with the same insecurities faced by many.


"The problem with my career is that I've always felt like the bridesmaid, never the bride."


  • Context: In an interview, Rupert humorously lamented the trajectory of his career, feeling often overlooked for the top spot despite his undeniable talent and contribution to the film industry. It's a candid acknowledgment of the frustrations and near-misses that have peppered his journey in Hollywood.


  • Reactions: This self-deprecating comparison elicited sympathy and chuckles, highlighting the universal feeling of coming in second best that many can relate to, not just in Hollywood but in various walks of life. Fans rallied around him, affirming his value and impact as an artist, regardless of the recognition received.

Behind-The-Scenes Anecdotes From His Shows & Movies


The Prankster Prince of "Shrek 2"


  • During the recording sessions for "Shrek 2," where Rupert voiced the smarmy Prince Charming, he became known for his on-the-fly wit and humor. One day, he decided to ad-lib his lines, sending the entire recording studio into fits of laughter. He recorded a series of increasingly outrageous voicemails for Prince Charming, pretending to be too busy with hair appointments and royal manicures to take down the ogre Shrek. The directors loved the improvisation so much, they included snippets of these faux voicemails in the DVD's special features, showcasing Rupert's comedic genius.


A Royal Misstep on "The Madness of King George"


  • On the set of "The Madness of King George," Rupert, playing the Duke of Kent, had a scene involving a complicated dance sequence. Known more for his acting chops than his dancing feet, Rupert accidentally stepped on co-star Helen Mirren's (Queen Charlotte) toes. Instead of a royal rebuke, Helen burst into laughter, appreciating Rupert's earnest but clumsy attempts. This incident broke the ice, leading to an onset environment where laughter was as common as dialogue, proving that even in a period drama, there's plenty of room for hilarity.


The "My Best Friend's Wedding" Sing-Along


  • One of the most memorable scenes in "My Best Friend's Wedding" is the sing-along to "I Say a Little Prayer for You." Rupert revealed in an interview that this iconic moment was as spontaneous for the actors as it seemed on screen. The cast, unsure of how the scene would play out, followed Rupert's lead when he began to sing and dance with abandon. His infectious energy turned a scripted moment into an impromptu party, capturing a genuine sense of joy and camaraderie among the cast that resonated with audiences worldwide.


Unscripted Laughs in "An Ideal Husband"


  • While filming "An Ideal Husband," Rupert, known for his razor-sharp wit, would often keep the cast and crew entertained with his impromptu jokes and quips. In one particular scene, he improvised a line that was so unexpected and hilarious, it caused his co-stars to break character and burst into uncontrollable laughter. The director decided to keep the cameras rolling, capturing this genuine moment of joy that eventually made its way into the final cut, showcasing Rupert's natural ability to bring lightness and humor to even the most buttoned-up roles.


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