Author & columnist, featured on HBO, NPR, and in The New York Times
Rupert Everett, the quintessential British charmer, made waves and maybe a few splashes with roles that screamed "I'm here, I'm queer, and I'm in period costume." He first turned heads and perhaps even spun them Exorcist-style in "Another Country" (1984), playing a gay spy so convincingly you'd think MI6 had a hand in casting.
Fast forward to "My Best Friend's Wedding" (1997), where he stole scenes and possibly hearts as Julia Roberts' faux fiancé, a role so iconic it practically invented the gay best friend trope.
But it wasn't all roses and witty one-liners; Rupert hit a bump or two, with his outspoken nature sparking more controversies than a Twitter feud between pop divas. Despite this, he remained as unapologetic as a cat on a newly made bed, continuing to grace screens big and small with his undeniable presence.
Click the links below for a closer look at Rupert. Check out his wins, his flops, and everything in between, including some personal stories and quirky trivia that'll make you feel like you know him just a little bit better.
Rupert Everett is like a fine wine, or maybe a Scotch; he gets more distinguished with age, and you can't help but appreciate the complexity. Standing tall at 6'4", he's less of a towering inferno and more of a regal lighthouse, guiding lost ships (or maybe just admirers) with his stately presence.
His hair, a salt-and-pepper masterpiece, waves with the grace of a Shakespearean actor caught in a gentle breeze, each strand seemingly imbued with the wisdom of his roles. His eyes, a stormy grey, hold the intensity of a dramatic monologue, capable of expressing an entire spectrum of emotions without uttering a single word.
And let's not forget that smile, a rare gem that's both mischievous and melancholic, hinting at a thousand untold stories. As for distinctive features, Rupert's aristocratic aura is so palpable, you'd swear he stepped right out of a Jane Austen novel, ready to engage in a battle of wits or perhaps steal a dance at a grand ball.
Rupert Everett has been romantically linked with several individuals. In the 1990s, he had a six-year affair with television presenter and writer Paula Yates, who was married to Bob Geldof at the time[1]. He has also been in relationships with Susan Sarandon, Jennifer Beals, Madonna, Michelle Pfeiffer, Reese Witherspoon, Minnie Driver, Tyra Banks,
Ian McKellen, and Béatrice Dalle. As of 2023, Rupert Everett has been in a long-term relationship with Henrique, a Brazilian accountant, for 14 years.
Rupert Everett's coming out was akin to a grand reveal at the end of a gripping thriller, unexpected yet somehow inevitable. It was 1989, a time when the world was as ready for a gay leading man as it was for a female James Bond. Rupert, fresh off the set of "The Madness of King George," decided it was time to drop his own bombshell.
The '80s and '90s were a cocktail of progress and backlash for the LGBTQ+ community. AIDS had cast a long, dark shadow, and homophobia was as casual as shoulder pads in sitcoms. Amidst this, Rupert, with his career on the ascent, took a leap that was less about personal liberation and more about a calculated act of defiance.
The bomb dropped not with a bang but with a meticulously penned revelation in a French magazine, "Le Film Français." Rupert chose his words with the precision of a poet, declaring his sexuality as part of a broader conversation about his life and career. This wasn't just coming out; this was a manifesto.
The reaction was a symphony of support and skepticism. Ian McKellen, already an icon in both the thespian and LGBTQ+ spheres, hailed Rupert's courage, reportedly saying it marked a "watershed moment" for gay actors everywhere. On the flip side, Everett himself later reflected on the professional backlash, noting in interviews, such as one with BBC Radio 4's "Desert Island Discs," how his revelation was met with a chilly reception in Hollywood, with roles drying up quicker than martinis at an open bar.
The audience reaction was a mosaic of the times—letters of support from fans, mixed with op-eds in publications like "The Guardian," debating whether Rupert's career would suffer for his honesty. The LGBTQ+ community saw it as a beacon of progress, while certain studio execs saw it as a reason for caution, a dichotomy Rupert himself has often mused about in interviews.
Rupert Everett's journey to stardom was less a straight path and more a thrilling chase scene through the wilds of showbiz. Before he was gracing screens and stage alike, Rupert was a young rebel with a penchant for drama, both on and off the stage.
It all started in the drama rooms of the Central School of Speech and Drama in London, where Rupert was more likely to be found causing a stir than following the script. His early days were marked by a mix of audacity and raw talent, with performances that were as likely to earn a standing ovation as a stern reprimand.
Enter stage left, Simon Callow, a titan of the theater and Rupert's unofficial guide in the labyrinth of London's drama scene. It was Callow who, after a particularly spirited performance in a school production, pulled Rupert aside and, in a moment straight out of a mentorship montage, told him, "You've got it, kid, but it's going to be a bumpy ride."
Rupert's first taste of the spotlight came with a role in "Another Country," a play turned film that mirrored his own tumultuous relationship with the establishment. His portrayal of an openly gay student in a repressive English boarding school was both a personal and professional turning point, earning him critical acclaim and a typecast he would wrestle with throughout his career.
What many don't know is that Rupert's early style was heavily influenced by the punk scene of the late '70s. He was as likely to be found at a Sex Pistols concert as in a rehearsal room, a duality that infused his acting with a raw, unpolished edge. This juxtaposition of high culture and punk rebellion became Rupert's signature, a blend of refinement and revolt.
From these eclectic beginnings, Rupert Everett carved out a niche that was entirely his own, navigating the highs and lows of fame with the same flair he brought to his roles. His journey from punk aficionado to acclaimed actor is a testament to the power of authenticity, both on the screen and off.
Rupert Everett's leap from talented actor to household name wasn't a single, explosive moment but rather a series of calculated steps, each more daring than the last. The big bang in Rupert's universe was undoubtedly his role in "My Best Friend's Wedding" (1997), where he played Julia Roberts' witty, gay confidant. This wasn't just a role; it was a revelation, showcasing Everett's impeccable comedic timing and undeniable charm.
The Role That Changed Everything: As George Downes in "My Best Friend's Wedding," Rupert not only stole scenes but arguably the entire movie from under the noses of Hollywood royalty. Critics, like Roger Ebert, hailed his performance as a "scene-stealer," with Ebert noting in his review that Everett provided "the best laughs" in the film. The role was a cocktail of wit, charm, and depth, served up with Everett's signature flair.
Industry Buzz: The film's box office success—it grossed over $299 million worldwide, as per Box Office Mojo—coupled with Rupert's standout performance, catapulted him into the spotlight. Industry insiders, previously wary of his earlier coming out, now saw Rupert not just as a viable leading man but as a versatile actor capable of both drama and high comedy.
A Sequence of Successes: While "My Best Friend's Wedding" was the undeniable turning point, it wasn't Rupert's only step towards mainstream success. His earlier work in "Another Country" (1984) had already established him as a talent to watch, and his subsequent roles in films like "The Madness of King George" (1994) and "Shakespeare in Love" (1998) solidified his status as a fixture in British cinema.
Comparing Perspectives: Critics and fans alike point to "My Best Friend's Wedding" as the pivotal moment in Rupert's career. However, some industry professionals argue that his consistent work in the years leading up to and following the film were equally crucial in building his reputation as a respected actor.
Combined Ratings from Rotten Tomatoes, IMBD & Metacritic
Rupert Everett's oeuvre is a smorgasbord of critically acclaimed performances, each more nuanced than the last. While "My Best Friend's Wedding" remains a highlight of his career, his portrayal of King Charles II in "The Madness of King George" and his role in "Shakespeare in Love" as Christopher Marlowe also stand out as testaments to his versatility and depth as an actor.
Critically Acclaimed Performances:
Audience and Critical Reception: Across these films, Rupert's performances have been lauded for their intelligence, wit, and the subtle depth he brings to each character. Critics from publications like The Guardian and The New York Times have praised his ability to elevate every role, from historical figures to romantic comedies, showcasing a range that spans genres and periods.
A Diverse Portfolio: Beyond film, Rupert's work in theater, including his role in the revival of Noel Coward's "Blithe Spirit" on Broadway, further cements his status as a versatile performer. His foray into writing and directing, particularly with the autobiographical film "The Happy Prince" (2018), where he starred as Oscar Wilde, showcases his multifaceted talent and deep understanding of historical and literary figures.
These overviews aim to provide a snapshot of Rupert Everett's career highs and lows, balancing well-known failures with lesser-celebrated successes, all within the context of available information and without the benefit of real-time data or detailed financial and critical metrics.
Love for Dogs: Rupert Everett's love for his dog is well known. He once bought a house in Los Angeles for his dog's sake. His Black Lab, Moise, was suffering from painful arthritis, so the actor relocated to the city in order for his beloved pet to heal.
Rupert Everett's candidness is evident in several instances where he openly shares his experiences and opinions, often with a mix of humor and self-reflection. Here are a few examples:
Everett shared a humorous yet revealing anecdote about his interaction with a film director, saying, "Bob had a cock so big that he needed a wheelbarrow to carry it around in." This was during a time when Paula, who was married, went to interview Everett, leading to a unique friendship underpinned by their respective constraints—she was married, and he was openly gay. This scenario, as Everett described, acted as a "kind of safety net," allowing both to indulge in their narcissism and love for attention. Everett's ability to critique himself as much as he does others is a testament to his self-awareness and candid nature.
Everett has been open about the challenges of being an openly gay actor in Hollywood. He famously advised against coming out for actors concerned about their careers, reflecting on his own experiences and the industry's attitudes towards sexuality. This advice, while controversial, highlights his willingness to share hard-earned insights from his personal and professional life.
Despite his often debauched lifestyle in his younger years, including taking heroin and hanging out with transvestite prostitutes, Everett maintained a discipline instilled by his military and naval background. He managed to get up in the morning and fulfill his responsibilities, showcasing a blend of rebellion and resilience. This stiff upper-lip attitude, juxtaposed with his wilder escapades, offers a fascinating glimpse into the complexities of his character.
These anecdotes reveal Rupert Everett's multifaceted personality—his humor, vulnerability, and the candidness with which he approaches both his career and personal life.
Citations:
[1] https://www.theguardian.com/film/2009/nov/29/rupert-everett-madonna-carole-cadwalladr
[2] https://forums.thefashionspot.com/threads/rupert-everett.137827/
[3] https://www.thenationalnews.com/arts/rupert-everett-i-became-a-bit-of-an-egomaniac-1.373912
[4] https://www.nytimes.com/2013/05/10/t-magazine/rupert-everett-is-so-not-an-american-movie-star.html
[5] https://ohnotheydidnt.livejournal.com/41554349.html
Rupert Everett has a knack for making headlines not just with his performances but with his words too. His razor-sharp wit and unapologetic honesty have led to some memorable quotes. Let's dive into five of his most attention-grabbing statements that left the public and media buzzing:
"The only way to be a successful Hollywood actor is to have a very strong relationship with God, and I don't. I'm a complete atheist."
"Being gay and being a woman has one big thing in common, which is that we both become invisible after the age of 42."
"I can't think of anything worse than being brought up by two gay dads."
"Hollywood is an extremely conservative world that pretends to be a liberal world."
"Oscar Wilde is a Christ figure in a smaller way, for homosexuals."
"I've always thought my talents were being wasted on acting. I should have been a cardinal or something in the Vatican, a position with real power."
"Why should I care about posterity? What's posterity ever done for me?"
"Fame is like a big piece of meringue – it's beautiful, and you keep eating it, but it doesn't really fill you up."
"I am not my own audience, thank goodness. If I were, I'd probably be in despair."
"The problem with my career is that I've always felt like the bridesmaid, never the bride."
The Prankster Prince of "Shrek 2"
A Royal Misstep on "The Madness of King George"
The "My Best Friend's Wedding" Sing-Along
Unscripted Laughs in "An Ideal Husband"
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Keiynan Lonsdale.