If drama were a dish, Bette Davis would be the main course, an observation aligning perfectly with Susan Sontag's Camp Aesthetics Theory. Think about Davis’s role in "All About Eve" - wasn't it all about pure exaggeration and theatricality?
In the words of film critic, Pauline Kael, from The New Yorker, there's a reason why Bette Davis is such a gay icon: "Davis’s high camp performance was as eye-opening as a glass of chilled champagne.” With a flair for the dramatic, Davis embodied camp aesthetics, a feature much admired within the queer community.
Imagine the exuberance of a Broadway show, the overstated gestures of a pantomime artist, the flamboyant world of drag – what do they all have in common? They embrace the Camp aesthetic, a term introduced and described by Susan Sontag in her essay "Notes on 'Camp'." Now, let's blend this camp aesthetic with the world of Hollywood, more specifically, with the iconic Bette Davis.
Bette Davis was a powerhouse, a tour de force in Hollywood who magnetized audiences with her theatrical style and larger-than-life onscreen presence. We can't discuss Davis's performance without bringing up Sontag’s idea of Camp, an aesthetic sensibility characterized by an ironic appreciation of all things exaggerated, theatrical, and dramatic.
Let's take a quick dive into one of Davis's unforgettable performances, her role as Margo Channing in "All About Eve." Margo, with her grandiose demeanor and exaggerated expressions, is a character of undeniable intensity. What's not camp about a diva fearing her career's demise due to age and the entry of a young, ambitious actress? The melodrama, the high stakes, the heightened emotions – all pure Camp!
And then there's Davis's undeniable over-the-top fashion style. As film critic Tim Robey remarked in The Telegraph, "Davis's off-screen style was as boldly eye-catching as her on-screen performances. Her extravagant, ostentatious fashion choices were pure camp."
But it's not just the dramatic characters and the extravagant fashion that align Davis with Camp aesthetics. It's also her profound knack for making the ordinary appear extraordinary.
Remember "Now, Voyager" where Davis played Charlotte Vale? Here was a woman transforming from a dowdy, repressed spinster to a fashionable, self-assured lady. The transformation itself was so dramatic that it could be a show in its own right! As Andrew Sarris noted in The Village Voice, "Davis turned Charlotte's transformation into an operatic display of emotional intensity. It was Camp at its best."
In fact, Davis's unique style of acting, her larger-than-life portrayals, and her dramatic personal life, all contribute to the Camp aesthetic. She was unapologetically herself, embracing theatricality both on and off the screen. As Sontag might argue, Davis’s entire persona was steeped in Camp.
It's essential to note that Camp isn't about mockery or parody. Rather, it's about finding joy and humor in artifice and exaggeration. It's about breaking away from convention and celebrating the unique and the extraordinary. And isn't that what Bette Davis did her whole life? As professor and film historian Jeanine Basinger told The New York Times, "Davis was always uniquely herself, a study in contradiction and unabashed exaggeration. She was Camp before we even had a term for it."
In a world that often insists on understatement and subtlety, Bette Davis was unapologetically over the top. She relished the dramatic and celebrated the extraordinary, embodying Sontag's notion of Camp. Her influence endures, inspiring all those who believe that life, like the movies, is a stage to be embraced in all its Camp-filled glory.
Diana Fuss's Identification and Resilience Theory might offer another insight into why Davis became a gay icon. Over the span of her career, she faced numerous hurdles, from battles with film studios to failed marriages. Yet, she rose like a phoenix, showing resilience that many gay men could identify with. Scotty Bowers, a renowned cultural observer, noted in his memoir, "Full Service," that "Bette Davis was a survivor. She faced adversity and it didn’t break her. It’s something a lot of us in the gay community can identify with."
Simone de Beauvoir's theory of the "Other" suggests that women are often marginalized and seen as outsiders in a male-dominated society. This feeling of being an "Other" may resonate with gay men, who also feel marginalized in a heteronormative society.
Bette Davis, with her distinctive eyes and unconventional beauty, didn't fit the conventional Hollywood mold, making her something of an "Other" herself. As Matthew Kennedy, a cultural critic, stated in his article for The Guardian, "Davis, with her 'difficult' personality and refusal to conform, was the perfect embodiment of the other."
Jack Halberstam's Transgressive Theory provides another facet of understanding. Bette Davis was a woman who dared to cross lines, a rebel who gave the Hollywood studio system a tough time. Remember her landmark legal battle against Warner Bros? Davis was unafraid to challenge the status quo. As observed by critic Camille Paglia in her book, "Sexual Personae," "Davis's spirit of rebellion, her readiness to transgress boundaries, made her a symbol of liberation for many gay men."
In a world that often demands conformity, those who defy norms become the flag-bearers of resilience. Bette Davis, with her unyielding spirit, embodied this quality brilliantly. Theories by Diana Fuss on identification suggest that we gravitate towards figures who mirror our own resilience.
From her battles with Warner Bros to her acerbic wit, Davis did not shy away from adversity. Instead, she fought, showing the world that she was not just a star but a fighter. One can't help but see the parallel between her struggle and the ongoing battle faced by the LGBTQ+ community. And it's through this shared resilience, this sense of camaraderie in defiance, that the bond between Davis and the community deepens.
Jack Halberstam’s Transgressive Theory amplifies our understanding of Davis’s enduring appeal. The Hollywood siren didn't just play by the rules – she set them. Be it her raw, emotive performances or her refusal to be pigeonholed into the 'good girl' image, Davis was a transgressor par excellence.
The screen siren's bold character choices, such as her role in "Of Human Bondage," reflect her willingness to defy societal norms and challenge expectations. In a time when Hollywood was filled with pretty, demure stars, Davis stood out with her fierce, complex characters – she was the woman who dared to be different, to transgress. And who can relate to this more than a community that has continually challenged the heteronormative world?
Simone de Beauvoir's exploration of women as the "Other" presents a lens through which we can further understand Davis's appeal. In a male-dominated society, women often find themselves on the periphery. This sense of being an outsider, of being 'othered,' resonates deeply within the LGBTQ+ community.
Bette Davis was no stranger to this feeling of being an outsider. She was outspoken, defiant, and refused to conform to the image of a subservient Hollywood starlet.
Alright, buckle up, because the story of Bette Davis getting started in Hollywood is like finding a rare diamond in your backyard – it's wildly improbable but utterly fabulous. Bette Davis, with eyes so dramatic they deserve their own soap opera, didn't just waltz into stardom; oh no, she clawed her way in with the tenacity of a cat chasing a laser pointer.
Before the Oscars, there were rejections. Lots of them. Imagine this: a young Bette Davis gets rejected from Hollywood studios not once, not twice, but repeatedly. It's like swiping left on a future legend! She auditioned for Universal Studios in the 1930s, and they said, "Thanks, but no thanks." t?
Acting school wasn't all roses either. Here's a juicy tidbit: her acting school thought she wasn't cut out for the big screen. They literally told her she had "as much sex appeal as Slim Summerville," who, in case you're not a classic film buff, was about as far from a 1930s heartthrob as you can get.
Persistence is her middle name (not really, but it should be). Bette didn't let rejection letters wallpaper her room. She hit the Broadway stage, where she finally started turning heads. Her performance in "The Earth Between" was like a neon sign saying, "Hollywood, you've made a huge mistake."
One crucial role flipped the script. It was her role in "The Menace" on Broadway that got Hollywood's attention. Suddenly, Universal Studios remembered her number and said, "Hey, about those rejections, we were just kidding."
And just like that, a star was born (well, not quite yet). Her first film, "Bad Sister" in 1931, wasn't exactly a blockbuster hit, but hey, everyone's got to start somewhere, right? It's like making pancakes – the first one is always a bit wonky.
Here's the kicker: she almost wasn't Bette Davis. Yep, she considered changing her name to Bettina Dawes. Can you imagine? Bettina Dawes in "All About Eve"? Sounds like a character who'd bring you tea, not the fierce queen Bette Davis was.
So, from the school of hard knocks to the pinnacle of Hollywood, Bette Davis' start in the industry was anything but smooth. It's like finding out your favorite diva had to sing at dingy bars before hitting the big time. It’s not just inspiring – it's a lesson in never giving up, even when Hollywood gives you the cold shoulder.
"Of Human Bondage" (1934) was the turning point. Let's start with the big bang in Bette Davis' career galaxy. "Of Human Bondage" was the film that made people sit up and say, "Whoa, who's she?" Playing the manipulative Mildred, Davis chewed up the scenery and spit it out with gusto. Critics went wild, and even though she didn't snag an Oscar nomination (a snub that caused an uproar), it put her on the map like GPS for Hollywood.
"Dangerous" (1935) brought home the bacon, aka the Oscar. A year after being snubbed, Davis won an Academy Award for Best Actress for "Dangerous." It was like Hollywood saying, "Sorry about last year, here's a shiny statue." This win didn't just boost her ego; it catapulted her into the A-list stratosphere.
"Jezebel" (1938) solidified her as a force of nature. Playing Julie in "Jezebel" earned Davis her second Oscar. It wasn't just the award that mattered; it was the role. Julie was strong, willful, and complex – traits that became synonymous with Davis herself. The film was a box office hit and a critical darling, proving that Davis was no one-hit wonder.
The Contract Battle of 1936 was more than legal drama. Here's where the plot thickens. Davis didn't just act; she fought for better roles. In 1936, she took Warner Bros. to court to get out of her contract, seeking better, more challenging roles. She lost the battle but won the war, gaining public sympathy and better roles from Warner Bros. afterward. This move showed her as a trailblazer for actors' rights, adding to her public recognition.
"All About Eve" (1950) was the cherry on top. Fast forward to 1950, and Davis delivered one of her most iconic performances in "All About Eve." The film was a critical and commercial hit, bagging 14 Oscar nominations. It was the quintessential Bette Davis film, showcasing her talent for playing strong, flawed women.
Critics, Fans, and Industry Pros: A Mixed Bag of Opinions.
Critics loved her for her raw, unapologetic performances. They saw her as a versatile actress who could elevate any role she played. Fans adored her for her on-screen charisma and off-screen sass. She wasn't just an actress; she was a personality.
However, not everyone was on the Bette Davis bandwagon. Some industry professionals found her difficult and demanding, but even they couldn't deny her talent. The contract dispute with Warner Bros. painted her as both a diva and a hero, depending on who you asked.
The Cumulative Effect: Not Just One Defining Moment.
It wasn't just one role or film that made Bette Davis a star; it was a series of them. Each project added another layer to her fame, showcasing her range and drawing in more fans. Her off-screen battles and outspoken personality only added to her allure, making her a legend not just for what she did on screen but for who she was off it.
1931: Bette Davis makes her film debut in "Bad Sister," playing the character Margaret.
1934: Stars in "Of Human Bondage," portraying Mildred Rogers. The role gains her significant critical acclaim.
1935: Wins her first Academy Award for Best Actress for her role in "Dangerous," playing Joyce Heath.
1936: Engages in a legal battle with Warner Bros. over contract disputes, setting a precedent for actor studio relationships.
1938: Wins her second Academy Award for Best Actress for "Jezebel," in the role of Julie Marsden.
1939: Appears in "Dark Victory," receiving another Academy Award nomination for her portrayal of Judith Traherne.
1940: Plays the lead role in "The Letter," earning another Academy Award nomination.
1941: Nominated for an Academy Award for her performance in "The Little Foxes," portraying Regina Giddens.
1942: Stars in "Now, Voyager," earning yet another Academy Award nomination for playing Charlotte Vale.
1944: Appears in "Mr. Skeffington," receiving an Academy Award nomination for her role as Fanny Trellis.
1950: Stars in "All About Eve," playing Margo Channing. The film is a major success, earning 14 Oscar nominations, and solidifies Davis's status as a Hollywood icon.
1952: Receives an Academy Award nomination for "The Star," playing Margaret Elliot.
1962: Stars in "Whatever Happened to Baby Jane?" alongside Joan Crawford, revitalizing her career.
1977: Returns to the stage in "Miss Moffat," a musical adaptation of "The Corn is Green."
1979: Wins an Emmy for "Strangers: The Story of a Mother and Daughter."
1983: Is awarded the AFI Life Achievement Award, one of the highest honors for a career in film.
1989: Bette Davis passes away, leaving behind a legacy as one of the greatest actresses in the history of American cinema.
2024: Bette Davis continues to be celebrated and remembered for her significant contributions to film and her pioneering role in actor's labor rights.
INTERESTING TRIVIA
"Old age ain't no place for sissies."
Context: Bette Davis famously dropped this line in an interview. It's a testament to her sharp wit and no-nonsense attitude towards life, aging, and the challenges that come with it.
Reactions: This quote became a mantra for aging gracefully and with grit. It's often cited in discussions about aging and is used to inspire a bold approach to life's later stages.
"Attempt the impossible in order to improve your work."
Context: Davis said this when discussing her approach to acting and choosing roles. It reflects her fearless attitude and her willingness to push boundaries in her career.
Reactions: This quote resonated with many in the creative fields, encouraging artists to take risks and step out of their comfort zones.
"The key to life is accepting challenges. Once someone stops doing this, he's dead."
Context: In an interview, Davis discussed her philosophy on life and career. This line encapsulates her fighting spirit and determination.
Reactions: The quote is often used as motivation, particularly in the entertainment industry, embodying the relentless pursuit of goals and continuous self-improvement.
"I'd marry again if I found a man who had fifteen million dollars, would sign over half to me, and guarantee that he'd be dead within a year."
Context: Known for her sharp tongue, Davis delivered this line when asked about remarriage. It's a classic example of her quick wit and somewhat dark humor.
Reactions: The quote was met with laughter and admiration for her candidness and humor, although some criticized it for its brashness.
"I survived because I was tougher than anybody else."
Context: Reflecting on her longevity and success in Hollywood, Davis made this statement in an interview. It highlights her resilience and determination in a tough industry.
Reactions: This quote has been a source of inspiration for many, particularly women in the industry, highlighting the importance of resilience and toughness in the face of challenges.