What made the crown jewel of the monarchy, Lady Diana, a beacon for the queer community? How did the People's Princess carve out a space in the hearts of gay individuals worldwide? In what ways did Diana's life and struggles resonate so deeply within the LGBTQ+ community, crowning her as an unintentional gay icon?
We're going to answer those questions through the lens of various academic theories, so buckle up, buttercup.
Jacques Lacan's Mirror Stage Theory makes for an insightful starting point to explain Diana's gay appeal. The theory posits that we perceive ourselves in others. So, when a gay individual looked at Diana, what did they see?
Perhaps they saw a woman unafraid to express her vulnerabilities, her struggles, and her resilience—a reflection of their own experiences. As quoted by cultural observer and Professor of Gender Studies, Jane Ward, in her conversation with The Guardian, "Diana's own suffering and her strong humanitarian outreach, made her a mirror image of the pain and the resilience within the LGBTQ+ community."
Deepening our exploration, we venture into Simone de Beauvoir's Other Theory. The concept of "the Other" has a profound resonance within the gay community, which often finds itself on the margins of a heteronormative society.
Similarly, Diana, despite being ensconced in the glittering heart of the monarchy, was often seen as an outsider. Diana's unscripted emotional honesty, her high-profile struggles within her marriage and with bulimia, rendered her as 'the Other' within the Royal family.
As Gay Star News quoted cultural critic Camille Paglia, "Diana's candidness about her personal problems gave her an outsider status, making her relatable to the LGBTQ+ community, a community familiar with the feeling of being 'Other'."
Next, we turn to Stuart Hall's Marginalized Representation Theory, which emphasizes the identification marginalized groups feel with figures who've similarly experienced being on the societal periphery.
Diana was a paradigm of compassion, transcending her royal status to reach out to the marginalized. Notably, she publicly shook hands with an AIDS patient in 1987, when the world was shrouded in fear and misconceptions about the disease. As remembered by a feature in Out Magazine, "This act, viewed by millions, played an instrumental role in dispelling the stigma associated with HIV/AIDS and the gay community."
Through these theoretical lenses, a picture emerges. Lady Diana's connection with the gay community wasn't planned or contrived—it was a natural resonance born from shared experiences, emotions, and the power of seeing one's struggles mirrored in another. As the people's princess, she unwittingly became the gay community's princess, too—an icon for those seeking their rightful place in a world that often feels resistant to change.
"I'd like to be a queen in people's hearts," Diana declared in her famous Panorama interview in 1995. And indeed, she became one. Beyond the boundaries of romance and sexuality, the Princess nurtured intense bonds among gay men who admired her, exemplifying Eve Kosofsky Sedgwick's Homosocial Desire Theory.
These intense bonds that Diana helped form weren't just about shared admiration for her style and grace, but also about shared experiences of resilience and rebellion. Diana's legacy isn't just about her impact as an individual, but the community solidarity that was fostered through a shared adoration for her.
Gay Icons of the 1930s and 1940s
Gay Icons of the 1950s and 1960s
Gay Icons of the 1970s and 1980s
Gay Icons of the 1990s
Gay Icons of the 2000s
Fictional Gay Icons
Wonder Woman
Julia Sugarbaker (Designing Women)
Buffy Summers (Buffy the Vampire Slayer)
Blanche Devereaux (Golden Girls)
Patsy Stone (Absolutely Fabulous)
Miranda Priestly (Devil Wears Prada)
Karen Walker (Will & Grace) (have pics)
Samantha Jones (Sex and the City)
Ursula the Sea Witch (The Little Mermaid)