Why is Liza Minelli so revered by the gay community? How did this Broadway baby end up becoming one of the great gay icons? Could it be her sequined Bob Mackie outfits? Let's unpack.
"Camp," as Susan Sontag might say, "is a tender feeling." Liza, with her exaggerated theatricality and show-stopping performances, personifies this aesthetic. "There's a flamboyance to Liza that's very in tune with camp sensibilities," noted culture critic Camille Paglia in Salon.
"It's all about boldness, drama, and living life in capital letters." When Liza belted out "New York, New York," she wasn't just singing a song; she was painting a larger-than-life picture, a feast of emotion and drama that epitomized the camp aesthetic.
Judith Butler's Divine Femininity and Androgyny Theory also provides a lens to view Liza's appeal. As Butler argued, we perform gender rather than possessing it intrinsically. Liza, with her pixie haircuts and tuxedo pantsuits, blurred the gender lines with style and aplomb.
"Liza's androgynous fashion statements in the '70s," noted Professor Danielle Borgia in The New Yorker, "became an emblem of gender fluidity."
Liza’s raw authenticity and resilience resonated with the LGBTQ+ community. As Lacan’s Mirror Image Theory suggests, we identify with figures reflecting elements of our own experiences and aspirations.
Liza, despite her trials and tribulations, never lost her spark, a symbol of survival for many gay men. As cultural critic Wesley Morris put it in The New York Times, "Liza's resilience despite adversity mirrors the experiences of many in the LGBTQ+ community."
Liza also found resonance in Adrienne Rich's Liberation Theory. She symbolized liberation from societal constraints, a beacon of self-expression in a world that often encourages silence. "The way Liza lived her life, freely and expressively," observed Professor Michael Bronski in The Harvard Gazette, "that represents liberation to many people, particularly in the gay community."
One can't discuss Liza's status as a gay icon without quoting the lady herself. In a 2009 interview with The Advocate, she noted, "I have the most wonderful gay fans because they’re loyal, they’re well-informed, and they're like nobody else." These words not only reflect her awareness of her gay fanbase but also her deep appreciation for them.
So, there you have it. Whether it's the camp aesthetics of her performances, the androgyny in her fashion, the resilience mirrored in her life, or the liberating spirit she embodies, Liza Minelli's status as a gay icon is multifaceted. But perhaps, it all boils down to one thing: Liza, with a 'Z', is simply unforgettable. So, let's raise our glasses high and toast to Liza, a true gay icon. As the lady herself might sing, "It's Liza with a 'Z', not Lisa with an 'S', 'cause Lisa with an 'S' goes 'sss' not 'zzz'."
Judith Butler's Divine Femininity and Androgyny Theory also provides a lens to view Liza's appeal. As Butler argued, we perform gender rather than possessing it intrinsically. Liza, with her pixie haircuts and tuxedo pantsuits, blurred the gender lines with style and aplomb.
"Liza's androgynous fashion statements in the '70s," noted Professor Danielle Borgia in The New Yorker, "became an emblem of gender fluidity."
Liza’s raw authenticity and resilience resonated with the LGBTQ+ community. As Lacan’s Mirror Image Theory suggests, we identify with figures reflecting elements of our own experiences and aspirations.
Liza, despite her trials and tribulations, never lost her spark, a symbol of survival for many gay men. As cultural critic Wesley Morris put it in The New York Times, "Liza's resilience despite adversity mirrors the experiences of many in the LGBTQ+ community."
Liza also found resonance in Adrienne Rich's Liberation Theory. She symbolized liberation from societal constraints, a beacon of self-expression in a world that often encourages silence. "The way Liza lived her life, freely and expressively," observed Professor Michael Bronski in The Harvard Gazette, "that represents liberation to many people, particularly in the gay community."
One can't discuss Liza's status as a gay icon without quoting the lady herself. In a 2009 interview with The Advocate, she noted, "I have the most wonderful gay fans because they’re loyal, they’re well-informed, and they're like nobody else." These words not only reflect her awareness of her gay fanbase but also her deep appreciation for them.
One aspect that draws the gay community to Liza is the reflection of the 'other,' as Simone de Beauvoir would suggest. De Beauvoir's theory paints women as the marginalized 'other' in a patriarchal society, a sentiment often resonating with the gay community, who may also feel sidelined in a heteronormative world. Liza's larger-than-life persona, her refusal to be boxed into societal norms, resonates as a triumph over marginalization.
As de Beauvoir herself said in The Second Sex, "One is not born, but rather becomes, a woman." Liza, in her radiant otherness, became a beacon for those navigating their path in a society where they were the 'other.'
In line with Jack Halberstam's Transgressive Theory, Liza, with her electrifying performances and unapologetic expressiveness, broke boundaries and challenged societal norms. Through her roles in films like Cabaret, she embodied characters who defied conventions, becoming symbols of transgression.
Professor Judith Jack Halberstam said in The Queer Art of Failure, "Queerness is an outcome of strange temporalities, imaginative life schedules, and eccentric economic practices." Liza, with her unconventional career and life, embodied this spirit of queerness, earning her a special place in the hearts of her gay fans.
Then comes Diana Fuss's Identification and Resilience Theory, a psychological exploration suggesting that the gay community identifies with Liza due to the adversity she's overcome. She has faced public scrutiny, battled addictions, and survived multiple divorces - all under the unflinching gaze of the public eye.
Yet, she emerged stronger, her sparkle never dimming. This shared experience of resilience in the face of adversity, as Diana Fuss points out in Identification Papers, "is the process of absorbing another’s traits or attributes and is integral to the formation of subjectivity." Liza, through her indomitable spirit, became a symbol of resilience for her gay fans.
Lastly, let's not forget the role of Queer Iconography Theory. Liza has shown unequivocal support for the LGBTQ+ community, using her celebrity platform to advocate for HIV/AIDS awareness. As reported in OUT Magazine, Liza once said, "I feel like part of me is part of them." This love and acceptance for the queer community have cemented her status as a queer icon.
From the reflection of the 'other' to the defiance of norms, from an undying resilience to the embrace of queer iconography, Liza Minelli represents different aspects for her gay fans. She's more than just a Broadway diva with a powerful voice and a magnetic stage presence.
She's a symbol of defiance, resilience, and, most importantly, acceptance - qualities that endear her to the LGBTQ+ community. But remember, the magic of Liza isn't limited to these theories alone. As with all icons, her appeal is as multi-dimensional as the lady herself.
Gay Icons of the 1930s and 1940s
Gay Icons of the 1950s and 1960s
Gay Icons of the 1970s and 1980s
Gay Icons of the 1990s
Gay Icons of the 2000s
Fictional Gay Icons
Wonder Woman
Julia Sugarbaker (Designing Women)
Buffy Summers (Buffy the Vampire Slayer)
Blanche Devereaux (Golden Girls)
Patsy Stone (Absolutely Fabulous)
Miranda Priestly (Devil Wears Prada)
Karen Walker (Will & Grace) (have pics)
Samantha Jones (Sex and the City)
Ursula the Sea Witch (The Little Mermaid)